Kazimir Malevich
1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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Kazimir Malevich On Vacation oil painting


On Vacation
909-1910 or after 1927 Medium Oil on wood Dimensions 108 x 72 cm (42.5 x 28.3 in) cjr
Painting ID::  90654
Kazimir Malevich
On Vacation
909-1910 or after 1927 Medium Oil on wood Dimensions 108 x 72 cm (42.5 x 28.3 in) cjr
   
   
     

Kazimir Malevich Cow and Fiddle oil painting


Cow and Fiddle
1913(1913) Medium Oil on wood Dimensions 48.8 x 25.8 cm (19.2 x 10.2 in) cyf
Painting ID::  91505
Kazimir Malevich
Cow and Fiddle
1913(1913) Medium Oil on wood Dimensions 48.8 x 25.8 cm (19.2 x 10.2 in) cyf
   
   
     

Kazimir Malevich Laundress oil painting


Laundress
Oil on plywood Dimensions 39.5 x 39.5 cm (15.6 x 15.6 in) cjr
Painting ID::  93810
Kazimir Malevich
Laundress
Oil on plywood Dimensions 39.5 x 39.5 cm (15.6 x 15.6 in) cjr
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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